Last week Destructoid posted a really excellent interview with Samuel Howard-Spink, a professor at New York University who’s spearheading a program called the Music Video Games Research Project at NYU. The project, Howard-Spink says, is “dedicated to the convergence of musical and gaming cultures and businesses,” and as a gamer and a member of NYU’s music business program, he seems to be in a unique position to talk about this convergence.
There’s lots of great stuff in the article, but I’ll just show you a couple bits that caught my eye. First:
“[I]n my humble opinion the [music-game] genre itself has helped to save rock’n’roll from being fully Nickelbacked or Maroon 5-ed into a coma. The games have certainly increased the number of young people interested in pursuing musical activities in many ways; just ask any guitar instructor or owner of a musical instrument store.”
I couldn’t agree more, and as a side note, “Nicklebacked Into a Coma” may be the name of my forthcoming EP.
The other quote I really liked was about the relationship between playing music games and playing music:
“Remember that musical training isn’t solely about scales and correct finger placement; rhythm, song structure, key changes, lyrics, genre styles, etc. are all elements of a musical education, and playing along with songs on Rock Band absolutely aids in the development of the awareness of these elements.”
Yes. Much of the rest of the article is every bit as good, but I’d feel bad about quoting any more, so I’ll just send you over there. The article is really substantial, with a good deal of talk about past music-related games, the current market, the potential of the Rock Band Network, and where the genre might be going. So go, read, enjoy.
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